![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png){kind=small}
podcast friday
Mar. 27th, 2026 06:58 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
sabotabby There was a lot of great content this week but one particularly moved me, and that's Cool People Who Did Cool Stuff's "If Not Us Than Who: The Russian Partisans at War Against Putin." (Part 1, Part 2).
My biggest disagreement with people who I'm otherwise in political lockstep with is Ukraine. Most (North American) leftists are wrong about this. I know this because I have actually been to Ukraine (and Russia), not just in touristy areas, and they for the most part haven't and don't know what they're talking about and are generally basing their opinions on either Cold War nostalgia, residual anti-imperialist trauma, or the appalling behaviour of some diaspora Ukrainian communities. My shitlib position is that you shouldn't invade other people's countries and kill them because you want their land or resources. Even if—and this is critical when we're talking about Palestine or Iran too—you don't like them and some of them are bad people. If that makes me a NATO stooge or CIA asset so be it.
Margaret and guest Charles McBryde share my opinion and also argue with other leftists about this, so you already know I'm going to agree with them. (Though not totally—we are all leftists here after all.) And you know who else does? A fuck of a lot of Russians. These two episodes focus on the frankly heroic actions of the Russian activists who resist Putin's authoritarianism, including Ruslan Siddiqui, who is genuinely cool not just for his political convictions but with the truly brass balls panache with which he acted. Margaret refers to him as the most cyberpunk guy she's ever heard of and this is true. I should write to him.
Anyway, it's a really wild ride about how to resist authoritarianism when regular political channels are cut off, which is of relevance in Russia and only in Russia, given that it's the only country that disappears people off the streets, murders its dissidents, and cracks down on freedom of expression.
My biggest disagreement with people who I'm otherwise in political lockstep with is Ukraine. Most (North American) leftists are wrong about this. I know this because I have actually been to Ukraine (and Russia), not just in touristy areas, and they for the most part haven't and don't know what they're talking about and are generally basing their opinions on either Cold War nostalgia, residual anti-imperialist trauma, or the appalling behaviour of some diaspora Ukrainian communities. My shitlib position is that you shouldn't invade other people's countries and kill them because you want their land or resources. Even if—and this is critical when we're talking about Palestine or Iran too—you don't like them and some of them are bad people. If that makes me a NATO stooge or CIA asset so be it.
Margaret and guest Charles McBryde share my opinion and also argue with other leftists about this, so you already know I'm going to agree with them. (Though not totally—we are all leftists here after all.) And you know who else does? A fuck of a lot of Russians. These two episodes focus on the frankly heroic actions of the Russian activists who resist Putin's authoritarianism, including Ruslan Siddiqui, who is genuinely cool not just for his political convictions but with the truly brass balls panache with which he acted. Margaret refers to him as the most cyberpunk guy she's ever heard of and this is true. I should write to him.
Anyway, it's a really wild ride about how to resist authoritarianism when regular political channels are cut off, which is of relevance in Russia and only in Russia, given that it's the only country that disappears people off the streets, murders its dissidents, and cracks down on freedom of expression.
Reading Wednesday
Mar. 25th, 2026 06:51 amsabotabbyJust finished: To Ride a Rising Storm by Moniquill Blackgoose. I absolutely loved this—it was a worthy sequel to the first one, and I ended up kind of binge-reading it because it's so compelling even though for the first three quarters, nothing much of anything happens. It's just a slow burn of political tensions so by the time things explode, you should have seen it coming but maybe don't, because as wise and savvy as our heroine is, she's still a 16-year-old girl navigating school, relationships, and family.
I immediately went to one of my Discord servers to squeal about it and was rewarded with some uncomfortable speculation about the author's heritage so I am hoping those rumours aren't true because I need her to be as cool as she seems.
Grendel by John Gardner. I have been meaning to read this for ages as it's one of those books where when people get to know me, they'll say "oh have you read this" and I'll say "no but it's on my list." Anyway it lives up to the hype. I don't know that the idea of telling a well-known story from the monster's perspective was all that new in the 70s, but it's far more than that. It's a literary masterpiece in terms of the prose, which is squelching and visceral, and it takes some unexpected philosophical turns, especially the bits with the dragon and the mad peasant, that feel fresh and relevant even today.
Currently reading: Always On by Helena Trooperman. And now we're back to the world of indie SF. This one is about an inventor, single mom to five children after her husband's death, struggling to get her career back on track. She discovers a way to power cellphones through human static electricity, which brings her in direct conflict with Big Oil. It's pretty interesting, brought down a little by some strange dialogue choices, but overall compelling character and a cool type of plot that the genre doesn't usually do anymore.
I immediately went to one of my Discord servers to squeal about it and was rewarded with some uncomfortable speculation about the author's heritage so I am hoping those rumours aren't true because I need her to be as cool as she seems.
Grendel by John Gardner. I have been meaning to read this for ages as it's one of those books where when people get to know me, they'll say "oh have you read this" and I'll say "no but it's on my list." Anyway it lives up to the hype. I don't know that the idea of telling a well-known story from the monster's perspective was all that new in the 70s, but it's far more than that. It's a literary masterpiece in terms of the prose, which is squelching and visceral, and it takes some unexpected philosophical turns, especially the bits with the dragon and the mad peasant, that feel fresh and relevant even today.
Currently reading: Always On by Helena Trooperman. And now we're back to the world of indie SF. This one is about an inventor, single mom to five children after her husband's death, struggling to get her career back on track. She discovers a way to power cellphones through human static electricity, which brings her in direct conflict with Big Oil. It's pretty interesting, brought down a little by some strange dialogue choices, but overall compelling character and a cool type of plot that the genre doesn't usually do anymore.
Weekly proof of life: media intake while catching my breath in a break in the crunch
Mar. 22nd, 2026 02:07 pmumadoshiHaving a week's break from the spring crunch (and a couple of those days as actual days off, not just regular workdays) meant I was able to get some reading and a bit of watching done!
Reading: On the novel(la)s front, two by Seanan McGuire and one by Rachel Reid. Butterfly Effects (the newest InCryptid) was good and also one of the major "wow, the reality (or maybe the scope, rather) of this series bears almost no resemblance to the impression given by the first handful of books" installments; the existence of multiple dimensions comes up very promptly in the early books (I think in the very first), but it was still a big shift to have that become part of the hands-on reality that the characters are dealing with.
Next I read Game Changer, the first book in Rachel Reid's Game Changers series, AKA the Heated Rivalry source material. I expected this to have far more detail on the Scott/Kip relationship than the show did, what with it being a novel that basically got turned into a single episode, but was a bit surprised by how many (most) of the detail in the show was completely different than the book, while the broad strokes are the same. (Also, I feel like I saw more than one reference to show!Kip being very physically different from book!Kip--I'm very sure I saw the word "twink" in play for the book iteration--and am baffled by where that came from, because...no? Anyway.) It was fine. I didn't love it, although I did appreciate many moments that were particularly fun in the context of the show.
And then I read Through Gates of Garnet and Gold, this year's Wayward Children novella. The sheer cost of these novellas made me decide within the last few years to just go for the digital versions rather than hard copies, and this year I opted to simply get the ebook from the library, which is why I read it a couple of months after it came out. I'm just not invested in this particular series. Ah, well.
For manga, I read the fifth omnibus of The Kurosagi Corpse Delivery Service, which includes the three volumes available in English that I hadn't previously read at all. (Did I buy vol. 13 and 14 in their original single-volume release and then have to buy this omnibus volume to get vol. 15? Yes. >.<) A sixth omnibus English volume has been scheduled and delayed repeatedly, so I knew there was still at least a fair bit to go--the three volumes to be bundled in that one--but after this catch-up was the first time I actually checked for info online, and I was not braced to see that it's up to 31 volumes in Japan and ongoing. o_o I have no clue what's going on with the English release, but I'm going to take a stab in the dark and say it's probably a mess.
Non-fiction: still reading a chapter of Braiding Sweetgrass here and there, and I've also started (but not gotten far into) Crystal Wilkinson's Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks.
Watching: We're caught up on The Pitt and have a couple episodes of Frieren yet to watch. (Am I right that this season of Frieren is over now?)
We also finished our watch of Heated Rivalry--my second time, and basicallyscruloose's first, except for the part where they saw most of the finale with minimal context back when I watched it. They also had some random bits of info in advance for their watch, because when I was initially watching it I wasn't at all thinking in terms of "this is a thing they may wind up watching" (they have much less interest in watching things in general than I do), so I'd been blithely telling them random stuff here and there before we got to the point of "perhaps scruloose will watch Canada's new national export after all". La? But they really enjoyed the show, which is the important thing. ^_^
Reading: On the novel(la)s front, two by Seanan McGuire and one by Rachel Reid. Butterfly Effects (the newest InCryptid) was good and also one of the major "wow, the reality (or maybe the scope, rather) of this series bears almost no resemblance to the impression given by the first handful of books" installments; the existence of multiple dimensions comes up very promptly in the early books (I think in the very first), but it was still a big shift to have that become part of the hands-on reality that the characters are dealing with.
Next I read Game Changer, the first book in Rachel Reid's Game Changers series, AKA the Heated Rivalry source material. I expected this to have far more detail on the Scott/Kip relationship than the show did, what with it being a novel that basically got turned into a single episode, but was a bit surprised by how many (most) of the detail in the show was completely different than the book, while the broad strokes are the same. (Also, I feel like I saw more than one reference to show!Kip being very physically different from book!Kip--I'm very sure I saw the word "twink" in play for the book iteration--and am baffled by where that came from, because...no? Anyway.) It was fine. I didn't love it, although I did appreciate many moments that were particularly fun in the context of the show.
And then I read Through Gates of Garnet and Gold, this year's Wayward Children novella. The sheer cost of these novellas made me decide within the last few years to just go for the digital versions rather than hard copies, and this year I opted to simply get the ebook from the library, which is why I read it a couple of months after it came out. I'm just not invested in this particular series. Ah, well.
For manga, I read the fifth omnibus of The Kurosagi Corpse Delivery Service, which includes the three volumes available in English that I hadn't previously read at all. (Did I buy vol. 13 and 14 in their original single-volume release and then have to buy this omnibus volume to get vol. 15? Yes. >.<) A sixth omnibus English volume has been scheduled and delayed repeatedly, so I knew there was still at least a fair bit to go--the three volumes to be bundled in that one--but after this catch-up was the first time I actually checked for info online, and I was not braced to see that it's up to 31 volumes in Japan and ongoing. o_o I have no clue what's going on with the English release, but I'm going to take a stab in the dark and say it's probably a mess.
Non-fiction: still reading a chapter of Braiding Sweetgrass here and there, and I've also started (but not gotten far into) Crystal Wilkinson's Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks.
Watching: We're caught up on The Pitt and have a couple episodes of Frieren yet to watch. (Am I right that this season of Frieren is over now?)
We also finished our watch of Heated Rivalry--my second time, and basically
scruloose's first, except for the part where they saw most of the finale with minimal context back when I watched it. They also had some random bits of info in advance for their watch, because when I was initially watching it I wasn't at all thinking in terms of "this is a thing they may wind up watching" (they have much less interest in watching things in general than I do), so I'd been blithely telling them random stuff here and there before we got to the point of "perhaps scruloose will watch Canada's new national export after all". La? But they really enjoyed the show, which is the important thing. ^_^
podcast friday
Mar. 20th, 2026 09:46 amsabotabby I mean I have to recommend Wizards & Spaceships' "Amazing Stories 100th Anniversary ft. Steve Davidson, Kermit Woodall and Lloyd Penney." It's in my contract. :) If you're into classic SF, you'll dig this one a lot.
Godwinning all over the Firefly reboot
Mar. 19th, 2026 04:25 pmsabotabbyI feel guilty every time I post about something shallow and trivial. However, I enjoy shitposting and we could all use the distraction. The way I distract myself is being spicy in fannish communities.
If you have emotional attachments to a certain cancelled sci-fi show and its creator, skip this post.
Still with me? Okay.
So I want to propose a new TV show for you. It's set IN SPACE in the far-flung future, think gritty space dystopia, think found family, think QUIPS and BANTER and BIG DAMN HEROES.
Our heroes are the crew of a spaceship. They dress in snappy black and silver uniforms. They're all played by white guys and women, most with blond hair, all of them extremely fit and attractive. They have a cool logo that looks great on merch. Their ships are very cool looking and the best in the galaxy. They stand up for the common man.
They are fighting a snivelly and sinister enemy, a vast galactic conspiracy that is secretly pulling the strings behind every bad guy of the week. Maybe they turn out to be, IDK, some kind of lizard alien or something.
By the way in case you're getting ideas about historical analogies here, I should make it clear that the first officer on the heroes' ship is a Jewish woman and the heroes don't commit any genocides on screen. In fact, one of them has a speech about how violence is bad in the first episode! They are shown to be very against war crimes in fact, it's the antagonists who are doing all the war crimes.
Now, a poll:
If you have emotional attachments to a certain cancelled sci-fi show and its creator, skip this post.
Still with me? Okay.
So I want to propose a new TV show for you. It's set IN SPACE in the far-flung future, think gritty space dystopia, think found family, think QUIPS and BANTER and BIG DAMN HEROES.
Our heroes are the crew of a spaceship. They dress in snappy black and silver uniforms. They're all played by white guys and women, most with blond hair, all of them extremely fit and attractive. They have a cool logo that looks great on merch. Their ships are very cool looking and the best in the galaxy. They stand up for the common man.
They are fighting a snivelly and sinister enemy, a vast galactic conspiracy that is secretly pulling the strings behind every bad guy of the week. Maybe they turn out to be, IDK, some kind of lizard alien or something.
By the way in case you're getting ideas about historical analogies here, I should make it clear that the first officer on the heroes' ship is a Jewish woman and the heroes don't commit any genocides on screen. In fact, one of them has a speech about how violence is bad in the first episode! They are shown to be very against war crimes in fact, it's the antagonists who are doing all the war crimes.
Now, a poll:
Poll #34385 Which would be less bad?
Open to: Registered Users, detailed results viewable to: All, participants: 18
Which would be better, if this show concept HAD to exist?
View Answers
Depicting the protagonists doing war crimes
10 (55.6%)
Not depicting the protagonists doing war crimes
8 (44.4%)
Reading Wednesday
Mar. 18th, 2026 10:37 amsabotabbyJust finished: Indigenous Ingenuity: A Celebration of Traditional North American Knowledge by Deidre Havrelock and Edward Kay. This is worth a read but also I wanted it to be better than it was. My main issue was the tone of condescension cloaked in breathless wonderment towards its young audience and precolonial Indigenous peoples, which I honestly do not think is intentional on the part of the writers and more a factor of how people think that children ought to be spoken to. My second issue had to do with the ending, which focused on ecological technologies and suddenly jumped forward to present day Indigenous Nations working with governments to create sustainable ecosystems. Very cool, but because of the book's structure and emphasis on precolonial technologies, it made it seem like Indigenous societies today are only working in that field. (This is not remotely true! If the section on communication technology had, for example, included a jump forward to discuss the Skobot, I'd have been fine with this aspect.) But also, it described things like carbon trading fairly uncritically, when in fact while carbon trading is better than carbonmaxxing like our current overlords are doing, it's a fairly useless system that greenwashes the omnicidal criminal corporations turning our world into a burning hellscape. So if the book is inaccurate about this, what else is it inaccurate about?
Beowulf translated by Francis B. Gummere. It's Beowulf. This is the less fun translation, albeit the one I'm more familiar with, because my hold on the Headley one didn't come in on time. We can discuss whether or not it's the most metal of all historical epics.
Currently reading: To Ride a Rising Storm by Moniquill Blackgoose. Speaking of Scandinavian-influenced epics. This is the sequel to To Shape a Dragon's Breath, which as you might recall broke all the way through my general dislike of YA to be one of my favourite books of the year. So far I am binging this and it's excellent. Our heroine, Anequs, wants nothing more than to get through her time at Kuiper's Academy, get licensed to ride her dragon, and return to her people on Masquapaug permanently, preferably with her two love interests, Theod and Liberty. But now the Anglish have set up a presence on the island and she's increasingly being drawn into shitty white-people politics that she wants nothing to do with.
This introduces a whack of new characters and factions. There's a Jewish character, Jadzia (Blackgoose, you fuckin' nerd lol), who I adore, and a secret society called the Disorder of the Grinning Teeth, which is the name of my new black metal band. There's also a new teacher whose name escapes me but who provides an interesting contrast in pedagogy from the first book. I should add that this is very much a magical boarding school story and not a residential school story, so it's very cool to see the idea of colonial educational institutions that could, theoretically, be reformed and democratized rather than needing to be closed and having the people who run them thrown in Forever Jail.
Also the dragons are cool.
Beowulf translated by Francis B. Gummere. It's Beowulf. This is the less fun translation, albeit the one I'm more familiar with, because my hold on the Headley one didn't come in on time. We can discuss whether or not it's the most metal of all historical epics.
Currently reading: To Ride a Rising Storm by Moniquill Blackgoose. Speaking of Scandinavian-influenced epics. This is the sequel to To Shape a Dragon's Breath, which as you might recall broke all the way through my general dislike of YA to be one of my favourite books of the year. So far I am binging this and it's excellent. Our heroine, Anequs, wants nothing more than to get through her time at Kuiper's Academy, get licensed to ride her dragon, and return to her people on Masquapaug permanently, preferably with her two love interests, Theod and Liberty. But now the Anglish have set up a presence on the island and she's increasingly being drawn into shitty white-people politics that she wants nothing to do with.
This introduces a whack of new characters and factions. There's a Jewish character, Jadzia (Blackgoose, you fuckin' nerd lol), who I adore, and a secret society called the Disorder of the Grinning Teeth, which is the name of my new black metal band. There's also a new teacher whose name escapes me but who provides an interesting contrast in pedagogy from the first book. I should add that this is very much a magical boarding school story and not a residential school story, so it's very cool to see the idea of colonial educational institutions that could, theoretically, be reformed and democratized rather than needing to be closed and having the people who run them thrown in Forever Jail.
Also the dragons are cool.
